![]() ![]() Carlson pulls out handcuffs, Dulaney forcibly cuffs her hands instead and sexually assaults her. When Dulaney accidentally knocks her to the ground, Carlson begins to masturbate on the floor in front of him. Dulaney goes to Carlson's home and accuses her of telling his wife about them (although Sharon says she worked it out from her tone alone). Sharon confronts him about the affair having figured it out from a phone call with Carlson as well as the strange marks on his body from the hot wax. As the trial begins, Carlson and Dulaney enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife, Sharon.ĭuring their first sexual encounter, Carlson secures Dulaney’s arms behind his back using his own belt and alternatively pours hot wax and champagne on him before having sex.Īfter an ex-lover of Carlson’s, Jeffrey Roston, testifies that he both changed his will to favour her and that she engaged in similar risky sexual behaviour with him, Dulaney attempts to end their affair. Initially believing her, Dulaney agrees to represent her.ĭistrict Attorney Robert Garrett seeks to prove that Carlson deliberately killed Marsh in bed to receive the $8 million he left her in his will. The main suspect is his lover Rebecca Carlson who proclaims her innocence to lawyer Frank Dulaney. The elderly and wealthy Andrew Marsh dies from complications stemming from an erotic incident involving bondage and homemade pornography. ![]() In Japan, Madonna's other 1993 film Dangerous Game was released there as Body II even though the films have nothing in common nor are related to each other in narrative. In France and Japan, the film was released under the name Body. Widely considered to be a vanity project for Madonna, it marked her fourth film performance to be universally panned by critics, following Shanghai Surprise, Who's That Girl, and Bloodhounds of Broadway. It turns out later he's not a very reliable witness.Body of Evidence is a 1993 erotic thriller film directed by Uli Edel, written by Brad Mirman, and starring Madonna and Willem Dafoe, with Joe Mantegna, Anne Archer, Julianne Moore, and Jürgen Prochnow in supporting roles. We are told by one witness that sex with the Madonna character is intense. All of the paraphernalia and lore of S & M sexuality are here, but none of the passion or even enjoyment. When it comes to eroticism, "Body of Evidence" is like Madonna's new book. What does she dedicate her life to? She answers that question in one of the movie's funniest lines, which unfortunately cannot be printed here. We are asked to believe that Madonna lives on a luxury houseboat, where she parades in front of the windows naked at all hours, yet somehow doesn't attract a crowd, not even of appreciative lobstermen. There's all kinds of murky plot debris involving nasal spray with cocaine in it, ghosts from the past, bizarre sex, and lots of nudity. What about the story here? It has to be seen to be believed - something I do not advise. She's just an extra trying to grab some extra business.īut enough on the technical side. We in the audience are alerted that the movie is establishing her for a later payoff. One example: Dafoe is addressing his opening remarks to the jury, and the camera pulls focus so that we see an attractive young female juror sitting in the front row. I don't know whether to blame the director, the cinematographer or the editor for some of the inept choices in this movie. ![]() That's a typical exchange in the courtroom scenes, which involve Dafoe being reprimanded by the judge for just about every breath he draws. a city small enough, Madonna volunteers from the witness stand, that she once dated a guy who dated a girl who dated Mantegna. Willem Dafoe plays the defense attorney who firmly believes Madonna is innocent, or in any event very sexy, and Joe Mantegna has the Hamilton Burger role. But she's innocent, she protests - and indeed there is another obvious suspect, the millionaire's private secretary ( Anne Archer), who is also his spurned former lover. ![]()
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